Anti Essays
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Papers On Film & Television
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"Boys Don't Cry": Historical Implications Of Gender Assumption
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6 pages in length. The impact of historical American gender assumptions and gender expectations upon Brandon Teena, the main character in 1999's Boys Don't Cry, illustrates the perpetual cycle of racism that has permeated society for centuries. When the student considers the extent to which Teena goes in order to live life as a male, rather than the biological female genetic composition with which she was born, it becomes very clear how unevolved society is as a whole when it comes to people living outside the ever-stringent boundaries of social dictates. Bibliography lists 5 sources.TLCboys.rtf
Filename: TLCboys.rtf
"Breakfast at Tiffany's" and "Sunset Boulevard": The Portrayal of Women
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A 6 page review of these classic movies. Outlines the plot and points our both commonalties and contrasts between the lead female characters in each. Concludes that while each is desperately trying to control their own societal circumstance, it is really that circumstance which is controlling them. Bibliography lists 4 sources.
Filename: PPmvTiff.wps
"Bring It On": How The Film Shapes World Views In Terms Of Gender, Race, Class And Sexuality
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7 pages in length. Peyton Reed's 2000 production of Bring It On, a film that humorously portrays issues of teenage sex, is a primary example of how contemporary film shapes social views in terms of gender, race, class and sexuality. The manner by which this movie tends to instruct people how to perceive themselves relates to the influence that popular culture has over the general public. The image of power, gender and class roles in popular culture reflects significant patriarchal control, with the manipulation of the female gender a pertinent component of its objective. Bibliography lists 7 sources.
Filename: TLCbring.wps
"Casablanca": Patriarchy And The Film's Ending
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5 pages in length. Analyzing the film Casablanca for problems may appear a bit difficult, inasmuch as the classic movie leaves little for one to criticize. However, looking deeper within the film beyond what one finds on the screen leads one to its production issues, with the most significant of all being that there was no planned ending until quite late into the shooting schedule. Seventy-five contract writers were given the task of developing an ending that would a) complement the film's story, b) be as logical as possible given the movie's already enigmatic tone and c) not offend the censors. This monumental task would haunt both writers and production crew until the very last minute when the historical scene was conceived. Bibliography lists 6 sources.
Filename: TLCCasab.wps
"CITIZEN KANE" AND "VERTIGO": SENSE OF SPACE
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The writer discusses the fact that this
particular sense of filmatic space is not restricted only to technical or visual effects, but rather, it also involves the vast social, psychological and political uses of space,
as well.
These two films effectively capture a sense of space -- both indoors and outdoors, expansive and claustrophobic -- that is not only thematically explored but also significantly exploited by the directors. Bibliography lists 7 sources
Filename: TLCspace1.rtf
"Crouching Tiger, Hidden Dragon"
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An 18 page paper which discusses how the film
"Crouching Tiger, Hidden Dragon" was distributed in China, yet appeared to be a flop.
The success of the film in America is also discussed. Bibliography lists 5 sources.
Filename: RAcrouching.wps
"Deadwood" - Both Creates And Defies Generic Conventions
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6 pages in length. One might readily argue how genre is little more than what humanity has spun into recognizable categories whereby films and television programs readily exist. The extent to which generic conventions are paramount to establishing the proper style of depiction a given movie or show portrays is both grand and far-reaching; that contemporary productions have regularly sought to break new ground where long-established genre is concerned speaks to the greatly expanded approach to reinventing generic conventions that both create and defy traditional application (Hoggart, 2004). HBO's Deadwood - a western "detailing the birth of a civilization on the outskirts of the 1870s American frontier" (Shimanovsky, 2006, p. 28) whose success has taken virtually everyone by surprise (Perret, 2005) - is one such production that has, for all intents and purposes, turned the western genre on its ear; not only has creator David Milch magnified the dialogue in what has long been believed to be mild mannered exchanges between somewhat civilized people, but he has displayed a raw and earthy persona the likes of which causes viewing audiences to be taken aback by the bold suggestion that people were actually as crude, lascivious, barbarous and ruthless as Deadwood overtly suggests. Bibliography lists 8 sources.
Filename: TLCDeadwood.rtf
"Death of a Salesman" and "An American Beauty": The Myth of the American
Family
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A 7 page paper which discusses the play "Death of a Salesman" and the recent
film "American Beauty" and illustrates how they help to demonstrate that the perfect
American family is only a myth, never achieved. Bibliography lists 16 sources.
Filename: RAmythfam.wps
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