Geometric Vases / Male and Female Representation
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An 8 page research paper on the Geometric vase era and how male and female figures were treated by the Greek artists. The writer traces a progression in treatment between the early, middle and late Geometric periods. Some of the art pieces considered include the amphoras and red-figure vases of the Dyplon Master, the Francois Vase, Meneleas and Helen, and the Great Calyx Krater. Bibliography lists 5 sources.
Filename: Cngeomet.wps

George Seurat & Pointillism
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A 6 page research paper that examines the system of painting develop by French Neoimpressionist painter, Georges Seurat (1859-1891). Although Seurat's use of colored dots is usually referred to as 'Pointillism,' Seurat preferred the term 'divisionism.' Pointillism involves using thousands of dots of color that are of uniform size applied with calculated and painstaking control. Seurat controlled the application of these dots so precisely that the subtlest tints were brought under his control. Bibliography lists 6 sources.
Filename: Pointil.wps

GEORGES DE LA TOUR: MAGDALEN WITH THE SMOKING FLAME
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This 10 page paper discusses the painting Magdalen with the Smoking Flame by De La Tour. Iconography is discussed, as well as personal revelations of the painting. History of De La Tour included. Bibliography lists 5 sources.
Filename: MBtours.rtf

Georges Seurat: Bathers at Asniers
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(5 pp.) The tendency, of most of us, when thinking, of "the end," of anything, guess that it will taper off or even just dwindle away. That was hardly the case of post-impressionistic artists. These artists, the last of the Impressionists, still had energy and fresh ideas to explore. One of them, Georges Seurat (1859 - 1891) is the topic of this discussion. Bibliography lists 3 sources.
Filename: BBseurat.doc

Ghosh's In an Antique Land and Small's Voyages - Two Ethnographic Perspectives
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This 7 page paper provides a comparative view of two ethnographies: Amitav Ghosh's In an Antique Land and Cathy Small's Voyages. This paper compares Ghosh's view of the Egyptian villagers and Small's perspectives on the Tongan culture as they relate issues like cultural hybridity, globlization, travel, oceanic spaces, and history. No additional sources cited.
Filename: MHghosh.wps

Gilbert Stuart's Ann Penn Allen & Annibale Carracci's Bean Eater
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This 5 page paper contrasts and compares the work of Gilbert Stuart and Annibale Carracci. Stuart uses a contrived setting in order to place the emphasis on the subject while Carracci utilizes a natural setting in order to place the emphasis on the subject matter. Bibliography lists 5 sources.
Filename: KTportrt.wps

Giulio Romano
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20 pages in length. Giulio Romano, also known as Giulio di Pietro de'Gianuzzi Giulio Pippi, was one of Italy's most prominent mannerist painters. His instrumental existence within the world of art stands out with his presence during the Mannerism Period, a time in Italy that existed between the Renaissance and Baroque periods, heavily assuming an emotional and stylized imagery primarily directed toward the human figure. Particularly characteristic of the Mannerism Period is that of distorted, exaggerated interpretation coupled with intense color application. Bibliography lists 6 sources.
Filename: TLCguili.wps

Goya And Ingres, A Comparison
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This 5 page paper provides a comparison of the portraits of Don Pedro, Duque De Osuna by Franscisco De Goya Y Lucientes (Goya) and the Comtesse DHaussonville by Jean-Auguste-Dominique Ingres. Bibliography lists 5 sources.
Filename: KTgoying.wps

Goya and Picasso
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A 4 page paper which examines Francisco Goya’s “The 3rd of May” and Pablo Picasso’s “Guernica.” The paintings are analyzed and then compared. Bibliography lists 3 sources.
Filename: RAgoya1.rtf

Goya's "The Shootings Of May 3, 1808," Picassos's "Guernica" And "Massacre In Korea" -- Comparative Study
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15 pages in length. The rebellious nature of art affords a certain amount of artistic license with regard to issues of social and political nature. That art is the extension of the artist's personal beliefs and perspectives speaks to the sometimes-harrowing yet always passionate portrayals depicted in many of history's most powerful creations. Three examples of artists taking a personal stand on what they see in the world around them include Goya's The Shootings of May 3, 1808, Picasso's Guernica and Massacre in Korea. Bibliography lists 8 sources.
Filename: TLCGoyaMay3.rtf

Goya: Response To The Dominant Orthodoxies Of Church And State
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6 pages in length. The writer assumes the identity of Spanish artist Francisco de Goya in answering accusation of his blatant disregard for the dominant orthodoxies of Church and State. Bibliography lists 3 sources.
Filename: TLCGoya.rtf

Graffiti
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This 8 page paper provides support for the continuance of graffiti. The view considers the works as both art and a social message from the inner cities. Bibliography lists 9 sources.
Filename: Graffiti.wps