|
Papers On Artists, Art Genre, & Famous Works Of Art
Page 11 of 77
|
|
A Study Curriculum of Art, Music and Literature: How the Humanities Make Life Worth Living
[ send me this paper ]
This 5 page paper considers the purpose of humanities and a key curriculum of literature, art and music to be studied which demonstrates the beauty of life. This paper also defines the humanities as a means of understanding cultural identity. Bibliography lists 3 sources.
Filename: MHHLife.rtf
A Survey of British Museums
[ send me this paper ]
A 6 page paper which examines several aspects of
British Museums, using Peter Vergo’s “The New Museology.” No additional sources
cited.
Filename: RAbrtmus.rtf
A Visit to the Art Institute of Chicago
[ send me this paper ]
A 4 page tutorial which presents a look at two works of an Impressionist painter seen in the Art Institute of Chicago. The artist discussed is Mary Cassatt and her works that are examined are Mother and Child (1888) and The Child’s Bath or La Toilette (1893). Bibliography lists 2 sources.
Filename: RAchicrt.rtf
A Work of Art
[ send me this paper ]
This 6 page paper provides an overview of the central characteristics of a number of works of art, including an analysis of Relief of Ramesses IX. Bibliography lists 5 sources.
Filename: MHArcEgy.rtf
Abstract Expressionism / Art & Architecture Comparison
[ send me this paper ]
A 20 page paper that explores layering, spatial depth, minimalism, combination of materials, objects and colors, and the moralist vein, all of which typify abstract expressionism. The artists and architects reviewed and compared include: Pollock and Richard Gluckman, Helen Frankenthaler and Garth Alexander Oldershaw, Jasper Johns and James Stewart Polshek, and Barnett Newman and Sam Durant. Bibliography lists 14 sources.
Filename: Artarch.wps
Adam and Eve by Albrecht Durer
[ send me this paper ]
A 2 page paper which discusses two different
analyses of the engraving "Adam and Eve" by Albrecht Durer. No additional sources cited.
Filename: RAgurer.wps
African American Artists during The Great Depresson.
[ send me this paper ]
(10pp)The Harlem Renaissance watched the
flourishing of African American literature, music,
dance, art and social commentary in the neighbor-
hood newly transformed by the great migration of
African Americans to the North during WWI. The
renaissance was a time when Black Americans had a
chance to demonstrate the creative and intellectual
abilities that they possessed. Nightclubs,
community centers, cafes, publishing houses and
galleries sprang up in Harlem amongst the enormous
level of energy and excitement. 'It captured all
that the wild young things of the 1920s wanted to
be.' Bibliography lists 10 sources. (sources follow)
Filename: BBafartD.rtf
African Art’s Influence on Picasso and Matisse
[ send me this paper ]
A 4 page paper which examines the
influence African art had on Pablo Picasso and Henri Matisse. Bibliography lists 3
sources.
Filename: RAafpica.rtf
Alexander Calder's Untitled Mobile
[ send me this paper ]
10 pages in length. The creative genius of Alexander Calder spanned the better part of the twentieth century, with the American sculptor establishing his niche of motorized abstract mobiles in the 1930s. With a history of sculptors on his paternal side of the family and his mother a painter, it was no surprise how easily Calder filled those artistic shoes. Fashioned from aluminum and steel, his untitled 1976 creation drew from his past perspectives, including time spent in the Parisian Piet Mondrian studio. Calder expanded his interest in wire and spheres by assembling a collection of brightly colored disks that were held together by way of weights and counterbalances, allowing for the sculpture to reflect his spatial approach to art: free to move with the movement of the atmosphere as it hangs suspended in mid air. This ephemeral aspect of Calder's artistic endeavors became the calling card for the National Gallery of Art's East Building, inasmuch as he was beckoned to produce a piece of work that would capture the true essence of what this new structure was to ultimately represent. Calder's challenge brought to life the giant mobile whose presence seemed to defy gravity and spatial limitation. Sadly, he would not live to see his nine hundred twenty pound aluminum masterpiece hoisted to the ceiling in 1977, nearly eighty years after his birth. Bibliography lists 8 sources.
Filename: TLCCalder.rtf
