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Papers On Photography
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Audience Reaction and the Realism of Cinema
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A 5 page discussion of the impact of realism on audience passivity or action when viewing a film. Notes that audiences are the targets of cinematic production, production which combines both audio and video into a medium which require the human element in order to be experienced. Indeed audiences are impacted by both the audio and visual aspects of film. The consequent reaction can vary from one of passive reception to active participation. Uses "The Color Purple" as an example of a film which elicits a significant degree of audience reaction. Bibliography lists 7 sources.
Filename: PPcinema.wps

Cameras / Focal Points, Aperture & Other Mathematical Concepts
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A 9 page outline of the underlying concepts of photography and their relation to mathematics. Includes information about different camera types. Emphasizes methodology for the determination of focal length. Bibliography lists eight sources.
Filename: Caminfo.wps

Cindy Sherman, Photography And Gender Roles
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Cindy Sherman's film stills are meant to depict the assumed gender roles of women within the modern American society. The purpose of her photographs is to make people take notice and reconsider the social norms and, or, expectations which define gender roles. This 5 page essay presents a proposal for a series of photographs depicting the male gender role in American society.
Filename: KTstills.wps

Cindy Sherman/Untitled Film Stills
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A 4 page research paper that profiles Cindy Sherman's series of photographs Untitled Film Stills (1977-1980), which are regarded as a "hallmark of postmodernist art," for the manner in which they employ "mass-media codes and techniques of representation" in order to convey social comment on contemporary society (Blessing, 2002). In this series of 69 black-and-white photographs, Sherman herself posed in various situations and melodramatic guises that recall the stereotypical publicity stills used to advertise B-grade movies from the 1950s through the 1960s. Bibliography lists 7 sources.
Filename: khstills.rtf

Comparison of Magazine Pictures
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This 5 page paper considers two different photographic images from a women's beauty and fashion magazine. Using these images, the writer makes comparisons on style, content and association before reaching a conclusion on the way that we should interpret these images and the messages that they communicate.
Filename: TEphotog.wps

David Bailey: Fashion Photographer
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A 9 page paper which examines the life and work of David Bailey. Bibliography lists 3 sources.
Filename: RAblypht.rtf

Designing A Photo Project
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A 6 page fantasy based on the design of a photographic on a theme started by Renaissance artist Franz Hals. The writer looks at Hals 'Laughing Cavalier' and fictitiously tracks changes to the subject through subsequent centuries for ideas for a modern photo shoot on the same subject. Discussed are Hals painting, Rembrandt's etchings, Nolde's woodcuts, and several photo techniques. Bibliography lists 2 sources.
Filename: Cnartfnt.wps

Diane Arbus And Annie Leibovitz: Comparing Photographic Style
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5 pages in length. The divergent styles of Diane Arbus and Annie Leibovitz address a culture that is constantly changing. Clearly, Arbus' so-called abnormal approach to photography was considered quite shocking during its time; however, the artist did not allow social dictates to mold her creativity, but rather gained even more motivation from the vast array of reactions she received. Leibovitz, while decidedly more mainstream in her style, still puts forth a message through her work that addresses the ongoing quest for gender equality. Bibliography lists 5 sources.
Filename: TLCarbus.wps

Digital Photography v. Analogue Photography; Past, Present And Possible Future
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This 10 page paper examines the differences between digital and analogue photography at both a technical and a practical level, the way that digital photography may become dominant and the impact that this may have on society. The bibliography cites 8 sources.
Filename: TEphotod.rtf


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